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This section will contain information
on Maurice Haycock's past and present
exhibitions, and will be updated regularly.
Haycock
held over 20 solo exhibitions across
Canada and in the U.S.A., as well as
participated in innumerable others.
He
is represented in industrial and mining
company, government and university
collections, and in private and public,
and embassy collections in Canada
and abroad. |
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Haycock's
early work was accepted into Ontario Association
of Watercolourist
Exhibitions in
Toronto 1939 - 1944. He held annual solo
exhibitions in Ottawa in the 1940’s and 1950’s
which resulted in favourable reviews and
popular sales. By
the 1960's he exhibited less frequently in
formal shows, preferring the impromptu showings
during sketching trips.
He
still entered some major solo and group
shows, but sold
most paintings
privately. One of his last major exhibitions
was at Whitehorse, Yukon in 1984. From
the catalogue, |
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“ Haycock
unabashedly admits that his style is reminiscent
of the Group of Seven, but it has also evolved
from his own unique personality characteristics.
Haycock is honest, self confident and almost
brash in the way that he approaches painting.
He uses a comparatively large paint brush and
lays the paint on in splashes of color placed
beside one another to achieve a gorgeous subtle
mix of hues not unlike the mix of color found
in nature. Often the paint strokes do not cover
the plywood which serves as a canvas for him.
It is interesting to note that much of this
raw plywood shows through in his depiction
of old cabins and buildings. Haycock uses actual
wood to help create a representation of wooden
building! He is not worried about following
the traditions of paint covering support.
Haycock
also has an unusual palette: the “type” of
color he employs is usually quite limited.
His colors are of similar intensity - “muted” is
a good word to describe them. They are well
mixed with the occasional subtle use of light
color to highlight. Perhaps the muted colors
are a reflection of his subject or mood because
there are times when Haycock has thrown his
palette aside and reached for his tubes to
produce a more brilliant and saturated type
of color to suit fall landscapes. Colors common
to all his paintings are the complementary
yellow-oranges and purples. Dull browns and
greens are also repeated. However, Haycock’s
paintings never cease to please the eye.
His works are masterpieces of harmonious
color
and his technique displays a confidence and
familiarity with subject. His subjects are
a part of our life and heritage, and his
paintings will prove to be, now and in the
future.”
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